Why would Shari tell Michelle or anyone outside the family a name? Why would Michelle ask? In 1965, Sheila McCloskey loved to watch two subjects in particular with binoculars: birds and neighbors. His reputation was slightly tainted by his marriage to her mother, an exotic blue-eyed raven-haired beauty, a Gypsy doll with a clandestine heritage. That world of fine printed cambrics and escorted maidens, of delicate secondary meanings and refined allusiveness, presented itself to her imagination with the brightness of a lost paradise, as indeed for many women it is a lost paradise.
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