" "Mr. ‘I’m damned if I see what you have to complain of,’ uttered Charvill, a faintly bewildered note underlying his irascibility. "I likes to hear vot you says. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. ‘It is not possible. Wood, in equal trepidation. ” “I am highly flattered,” she remarked, with subtle irony. Skin astonishingly clear except for a spray of blackheads on each side of her nose. Kneebone's house, the young man hastened to a hotel in the neighbourhood of Covent Garden, where, having procured a horse, he shaped his course towards the west end of the town. She felt the bedsprings coil as he moved from his seated position, entranced. It would be too mortifying. We were going at a mad pace. Her hair got loose, her hat came over one eye, and she had no arm free to replace it. As soon as he finished a sheet, he tossed it aside and began another.
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