“I cannot say more. I said to myself at once, ‘Either this is a coincidence or the caper sauce. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. Why? Love was a word of God's, and yet her father had denied it—denied it to the Book, denied it to his own flesh and blood. “May I sit beside you?” “It’s a very difficult one,” said her aunt. When the word “FREAK” appeared scratched in the persimmon colored paint on her locker, she knew that in some fragile young woman’s mind a war had escalated from imaginary to physical.
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