The other was to go into business—into a photographer’s reception-room, for example, or a costumer’s or hat-shop. I enjoyed depicting the dichotomy of the peace and safety of the suburbs while also showing its dark side in the form of high school villain Katy Pfister, who, by the way, never gets her comeuppance like some of the other characters do. In fact he was thinking of other things. “Tell him to drive—anywhere,” she exclaimed. She looked up quickly.
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