He's rewriting Poe and De Maupassant; and that stuff was good only when Poe and De Maupassant wrote it. There was only one idea in his head now—to batter and bruise and crush this weakling, then cast him at the feet of his love-lorn wife. But Jack was too nimble for him. She turned to the stage, and Tristan was wounded in Kurvenal’s arms, with Isolde at his feet, and King Mark, the incarnation of masculine force and obligation, the masculine creditor of love and beauty, stood over him, and the second climax was ending in wreaths and reek of melodies; and then the curtain was coming down in a series of short rushes, the music had ended, and the people were stirring and breaking out into applause, and the lights of the auditorium were resuming.
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