They don’t catch on to discursive interests, you see, because they are more serious, they are concentrated on the central reality of life, and a little impatient of its—its outer aspects. During the narration Jack's features lighted up, and an expression, which would have been in vain looked for in repose, was instantly caught and depicted by the skilful artist. The light fell upon the fugitive, who stood before him in an attitude of defence, with the child in his arms.
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