"A hell of a muddle! But all the talk in the world can't undo it. He did not care whether the stories were accepted or not. He went into the study and sat down at his table, but not to write. She turned to the stage, and Tristan was wounded in Kurvenal’s arms, with Isolde at his feet, and King Mark, the incarnation of masculine force and obligation, the masculine creditor of love and beauty, stood over him, and the second climax was ending in wreaths and reek of melodies; and then the curtain was coming down in a series of short rushes, the music had ended, and the people were stirring and breaking out into applause, and the lights of the auditorium were resuming. It arises, I think, from an over developed sense of humour.
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