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“The smallest will do for me quite well. He went on with intense urgency. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. The first of these, the Press Room, a dark close chamber, near Waterman's Hall, obtained its name from an immense wooden machine kept in it, with which such prisoners as refused to plead to their indictments were pressed to death—a species of inquisitorial torture not discontinued until so lately as the early part of the reign of George the Third, when it was abolished by an express statute. She had delicate oval features, light, laughing blue eyes, a pretty nez retroussé, (why have we not the term, since we have the best specimens of the feature?) teeth of pearly whiteness, and a brilliant complexion, set off by rich auburn hair, a very white neck and shoulders,—the latter, perhaps, a trifle too much exposed. And how could I come home—when he locks me in rooms and all that?” “I do wish this wasn’t going on,” said Miss Stanley, after a pause. Wood's habitation in Wych Street, we are luckily enabled to furnish a facsimile) was Jack Sheppard (signature) "I've half a mind to give old Wood the slip, and turn highwayman," cried Jack, as he closed the knife, and put it in his pocket. In vain did the woollendraper offer to set him free if he would restore the stolen article, or give up his associate, to whom it was supposed he might have handed it. Then he entered her passionately, riding her with exquisite precision.

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